🎶🇮🇹 Le Sonate per Violoncello e Basso Continuo di Antonio Vivaldi 🎻 🇪🇦 🇬🇧

by Pier Paolo Maccarrone cellist 🎻

🇮🇹 Le Sonate per violoncello e basso continuo del compositore veneziano e violonista Antonio Vivaldi sono di epoca di composizione individuabile tra il decennio 1720-1730 ca.
La prima edizione è invece del 1740.
La durata media dell’esecuzione integrale è di due ore circa.
L’ organico che comprendono è formato dal violoncello, basso continuo (al clavicembalo, o all’organo e solitamente accompagnato da un violoncello e continuo o da un fagotto)
Ogni sonata è composta di quattro movimenti, nella consueta struttura della sonata da chiesa, che prevede la struttura Largo, Allegro, Largo, Allegro.
Antonio Vivaldi ha composto diverse sonate per violoncello e basso continuo. Quelle composte dal 1720 e dal 1730, furono pubblicate a Parigi nel 1740 da Leclerc e Boivin. Altre due sono conservate manoscritte al Conservatorio di Napoli (RV 39 e RV 44) e un’altra in un manoscritto nel castello di Wiesentheid (RV 42).

🇪🇦 Las Sonatas para violonchelo y bajo continuo del compositor y violonista veneciano Antonio Vivaldi datan del período de composición identificable entre la década c. 1720-1730.
La primera edición es en lugar de 1740.
La duración media de la ejecución completa es de aproximadamente dos horas.
El conjunto que incluyen está formado por violonchelo, bajo continuo (en el clavecín, o en el órgano y generalmente acompañado de un violonchelo y continuo o un fagot)
Cada sonata se compone de cuatro movimientos, en la estructura habitual de la sonata de iglesia, que incluye la estructura Largo, Allegro, Largo, Allegro.
Antonio Vivaldi ha compuesto varias sonatas para violonchelo y continuo. Los compuestos de 1720 y 1730 fueron publicados en París en 1740 por Leclerc y Boivin. Otros dos se conservan en el Conservatorio de Nápoles (RV 39 y RV 44) y otro en un manuscrito en el castillo de Wiesentheid (RV 42).

🇬🇧 The Sonatas for cello and basso continuo by the Venetian composer and violonist Antonio Vivaldi date from the period of composition identifiable between the decade c. 1720-1730.
The first edition is instead of 1740.
The average duration of the complete execution is approximately two hours.
The ensemble they include is formed by the cello, basso continuo (on the harpsichord, or on the organ and usually accompanied by a cello and continuo or a bassoon)
Each sonata is composed of four movements, in the usual structure of the church sonata, which includes the structure Largo, Allegro, Largo, Allegro.
Antonio Vivaldi has composed several sonatas for cello and continuo. Those composed from 1720 and 1730 were published in Paris in 1740 by Leclerc and Boivin. Two others are kept manuscripts in the Conservatory of Naples (RV 39 and RV 44) and another in a manuscript in the castle of Wiesentheid (RV 42).

🇮🇹 Sulla nota di una decima sonata, in re minore (RV 38), non ci è giunta nessuna fonte o manoscritto, ma solo l’incipit nell’edizione Breikopft del 1740 .
Queste sonate sono costituite dai 4 moveri delle tipiche sonate tardobarocche. Ho presente in forma a bassa velocità – bassa velocità.
La sonata per violoncello era un genere in voga nell’ambiente veneziano dell’epoca; un po ‘prima di Vivaldi, anche Benedetto Marcello scrive ancora per violoncello in stile non dissimile di Quello del Prete Rosso. Scrive Eleanor Selfridge-Field: «la spinta a scrivere que operê in età così avanzata venne forse a Vivaldi dalla generale popolarità delle sonate per violoncello degli anni ’30 del Settecento, magari dall’esempio specifico di Marcello, autore di due raccolte di sonate per violoncello inserito in quel decennio.

🇪🇦 Sobre la nota de una décima sonata, en re menor (RV 38), no nos ha llegado ninguna fuente o manuscrito, sino sólo el incipit en la edición Breikopft de 1740.
Estas sonatas están compuestas por los 4 movimientos de las típicas sonatas del barroco tardío. Tengo esto en forma de baja velocidad – baja velocidad.
La sonata para violonchelo era un género en boga en el ambiente veneciano de la época; un poco antes de Vivaldi, Benedetto Marcello también volvió a escribir para violonchelo en un estilo no muy diferente al del Red Priest. Eleanor Selfridge-Field escribe: “la necesidad de escribir que operê a una edad tan avanzada quizás llegó a Vivaldi por la popularidad generalizada de las sonatas para violonchelo de la década de 1830, quizás por el ejemplo específico de Marcello, autor de dos colecciones de sonatas para violonchelo insertado en esa década.

🇬🇧 On the note of a tenth sonata, in D minor (RV 38), no source or manuscript has reached us, but only the incipit in the Breikopft edition of 1740.
These sonatas are made up of the 4 movements of the typical late Baroque sonatas. I have this in low speed form – low speed.
The cello sonata was a genre in vogue in the Venetian environment of the time; a little before Vivaldi, Benedetto Marcello also wrote again for cello in a style not unlike that of the Red Priest. Eleanor Selfridge-Field writes: “the urge to write que operê at such an advanced age perhaps came to Vivaldi from the general popularity of the cello sonatas of the 1830s, perhaps from the specific example of Marcello, author of two collections of sonatas for cello inserted in that decade.

Seminario Live su Facebook, II Parte https://m.facebook.com/story.php?story_fbid=10221424996567619&id=1631095726

Seminario Live su Facebook, I PARTE https://m.facebook.com/story.php?story_fbid=10221420292730026&id=1631095726

🇮🇹 Le sonate
Pubblicate a Parigi, senza numero di opus (Leclerc e Boivin, 1740)
Queste sonate vengono talvolta impropriamente indicate come op. 14.
Sonata n. 1 in si bemolle maggiore RV 47
Largo Allegro Largo Allegro
Sonata n. 2 in fa maggiore RV 41
Largo Allegro Largo Allegro
Sonata n. 3 in la minore RV 43
Largo Allegro Adagio Allegro
Sonata n. 4 in si bemolle maggiore RV 45
Largo Allegro Largo Allegro
Sonata n. 5 in mi minore RV 40
Largo Allegro Largo Allegro
Sonata n. 6 in si bemolle maggiore RV 46
Preludio: Largo Allemanda-Allegro Largo Corrente-Allegro
Fuori dalle raccolte a stampa
Sonata n. 7 in la minore RV 44
Largo Allegro poco Largo Allegro
Sonata n. 8 in mi bemolle maggiore RV 39
LarghettoAllegroAndanteAllegro
Sonata n. 9 in sol minore RV 42
Preludio: Largo Allemanda-Andante Sarabanda-Largo Giga-Allegro
Sonata in re minore, RV 38
Perduta

🇪🇦 Las sonatas
Publicado en París, sin número de opus (Leclerc y Boivin, 1740)
Estas sonatas a veces se denominan incorrectamente op. 14.
Sonata No. 1 en si bemol mayor RV 47
Largo Allegro Largo Allegro
Sonata No. 2 en fa mayor RV 41
Largo Allegro Largo Allegro
Sonata No. 3 en La menor RV 43
Largo Allegro Adagio Allegro
Sonata No. 4 en si bemol mayor RV 45
Largo Allegro Largo Allegro
Sonata No. 5 en mi menor RV 40
Largo Allegro Largo Allegro
Sonata No. 6 en si bemol mayor RV 46
Preludio: Largo Allemanda-Allegro Largo Corrente-Allegro
Fuera de las colecciones impresas
Sonata No. 7 en La menor RV 44
Largo Allegro pequeño Largo Allegro
Sonata No. 8 en mi bemol mayor RV 39
LarghettoAllegroAndanteAllegro
Sonata No. 9 en sol menor RV 42
Preludio: Largo Allemanda-Andante Sarabanda-Largo Giga-Allegro
Sonata en re menor, RV 38
Perdido

🇬🇧 The sonatas
Published in Paris, without opus number (Leclerc and Boivin, 1740)
These sonatas are sometimes improperly referred to as op. 14.
Sonata No. 1 in B flat major RV 47
Largo Allegro Largo Allegro
Sonata No. 2 in F major RV 41
Largo Allegro Largo Allegro
Sonata No. 3 in A minor RV 43
Largo Allegro Adagio Allegro
Sonata No. 4 in B flat major RV 45
Largo Allegro Largo Allegro
Sonata No. 5 in E minor RV 40
Largo Allegro Largo Allegro
Sonata No. 6 in B flat major RV 46
Prelude: Largo Allemanda-Allegro Largo Corrente-Allegro
Out of the printed collections
Sonata No. 7 in A minor RV 44
Largo Allegro little Largo Allegro
Sonata No. 8 in E flat major RV 39
LarghettoAllegroAndanteAllegro
Sonata No. 9 in G minor RV 42
Prelude: Largo Allemanda-Andante Sarabanda-Largo Giga-Allegro
Sonata in D minor, RV 38
Lost

🇮🇹 Fonti consultabili per studio:
1) Peter Ryom, Vivaldi, Antonio (Lucio), in New Grove Dictionary of Music and Musicians, 2a ed., Stanley Sadey, 2001
2) Il Conservatorio di Napoli e la pressione sul castello di Wiesentheid nel conservatore anche i manoscritti di due delle sonate pubblicato a Parigi, rispettively da RV 47 e RV 46.
3) Eleanor Selfridge-Field, La musica strumentale a Venezia da Gabrieli a Vivaldi, Torino, ERI, 1980, p. 217 4) Edizione SPES a cura di Federico Maria Sardelli appartenenti alla collana La Vivaldiana

🇪🇦 Fuentes disponibles para estudio:
1) Peter Ryom, Vivaldi, Antonio (Lucio), en New Grove Dictionary of Music and Musicians, 2a ed., Stanley Sadey, 2001
2) El Conservatorio de Nápoles y la presión sobre el castillo de Wiesentheid en el conservador también los manuscritos de dos de las sonatas publicadas en París, respectivamente por RV 47 y RV 46.
3) Eleanor Selfridge-Field, Música instrumental en Venecia de Gabrieli a Vivaldi, Turín, ERI, 1980, p. 217 4) Edición SPES editada por Federico Maria Sardelli perteneciente a la serie La Vivaldiana

🇬🇧 Sources available for study:
1) Peter Ryom, Vivaldi, Antonio (Lucio), in New Grove Dictionary of Music and Musicians, 2nd ed., Stanley Sadey, 2001
2) The Naples Conservatory and the pressure on the castle of Wiesentheid in the conservator also the manuscripts of two of the sonatas published in Paris, respectively by RV 47 and RV 46.
3) Eleanor Selfridge-Field, Instrumental music in Venice from Gabrieli to Vivaldi, Turin, ERI, 1980, p. 217 4) SPES edition edited by Federico Maria Sardelli belonging to the La Vivaldiana series

📺↙️📺↙️📺↙️📺↙️📺↙️📺↙️📺↙️📺https://m.facebook.com/story.php?story_fbid=10221382696790151&id=1631095726

My Life

PIER PAOLO MACCARRONE born in Catania in 1978 undertook the study of the cello at the age of 10 under the guidance of maestro Alfredo Borzì. He then continued his musical studies at the V. Bellini Music Institute in Catania with the teachers Giuseppe Rizzari, Paolo Ognissanti and for a long time with the teacher Benedetto Munzone under whose guidance he graduated. Later he perfected himself at the Hipponiana Academy of Reggio Calabria with the masters Arturo Bonucci, Claudio Marini, Demetrio Comuzzi and Luca Signorini and at the Music Academy of Santa Cecilia with the maestro Francesco Strano. Also in November 2004 he graduated in Pharmacy with specialization in phytotherapy at the University of Catania. In March 2007 he graduated in Music Disciplines from the V. Bellini Music Institute in Catania. In June 2010 he graduated with a II level qualification to teach the cello in secondary schools. In July 2010, to study the conducting in greater depth, he attended a master class held by the illustrious maestro Daniele Belardinelli. In October 2010, under the guidance of maestro Antonio Mosca, he obtained the qualification for teaching cello with the Suzuki method in Turin at the Italian Suzuki Institute. In recent years he has deepened the study of the execution practice on ancient instruments and at the Vincenzo Bellini Conservatory in Palermo he achieved the II level Degree in Baroque Cello and Basso Continuo at the Vincenzo Bellini Conservatory in Palermo and in 2017 under the guidance of the maestro Cristiano Contadin the first level Degree in Viola da gamba. He attended the Music Interpretation Course held by the famous conductor Francisco Navarro Lara and the Conducting course held by him in the “Escuela de Dirección de Orchestra y Banda” of Huelva in Spain endorsed by ABRSM (Royal College of Music of London) and in August 2019 he obtained the Advanced Diploma. In December 2022 he took the exams to obtain LRSM (Licentiate of the Royal School) in Orchestral Conducting from the Royal College of Music in London. He also attended masterclasses of Cello and Chamber Music with the teachers: A. Niculescu, M. Kougel, V. Taddeo, A. Meunier, S. Laffranchini, E. O. Hutter, R. Bovino and W. Ranck, M. Flaksman , M. Chen, L. Toten, A. Lefevbre, V. Pavlov, E. Bronzi, R. Filippini, B. Canino, S. Girscenko. Winner in numerous national and international competitions such as: Magma di Gravina of Catania, “Alfio Pulvirenti” from Comiso, “P. Mandanici “City of Barcellona Pozzo di Gotto (Messina)” Luigi Denza “of Castellammare di Stabia, Campobello di Licata (Agrigento), City of Palmi (Reggio Calabria), Competition” B. Albanese ”City of Caccamo (Palermo). Awarded in the following music competitions: FIDAPA SICILY “Young Talents”, “Dino Carovita” of Fusignano (Ravenna), Young Musicians “Napolinova”, “City of Palermo”, “B. Albanese ” in Caccamo, Promenade of Vibo Valenzia, City of Massafra (Taranto), TuttArte of Catania, City of Sol of Portopalo di Capopassero, National Music Competition Amygdala – Giuseppe Raciti Prize of Viagrande (Catania), International Music Competition” Lucio Stefano D’Agata ” of Acireale (Catania), National Music Competition “Salvatore Gioia” of Villarosa (Enna). Having supported the selections at the RAI TV Studios in Naples, he was eligible for auditions for the Italian Youth Orchestra of Fiesole for the academic year 2002-2003. He has performed in numerous concerts as a soloist and in orchestral training in numerous Italian and foreign cities such as: Catania, Syracuse, Ragusa, Palermo, Enna, Caltanissetta, Agrigento, Messina, Sorrento, Reggio Calabria, Naples, Macerata, Camerino, Perugia, Turin, Lucca, Florence, Cividale del Friuli, Rome, Graz, Nancy, Huelva, Palos with famous soloists such as: G. Sobrino, L. Degani, S. Zorza, P. Berman, S. Pagliani, C Marini, J. Lee, B. Giraud, A. Niculescu, E. Ligresti, D. Comuzzi, D. Schillaci, L. Aliberti, S. Piazzola, L. Lanzarini, K. Ricciarelli, M. Giordani, S. Girscenko , C. Gigli, M. Drapello, D. Russo, G. Di Stefano, D. Sinkosky, Luis Santana, Montserrat M. Caballè. He has collaborated with renowned directors R. Muti, C. Rizzari, T. Bugaj, M. Brousseau, O. Pulin, S. Ranzani, D. Soga, C. Volpini, G. Latil, W. Themel, G. Meditz , C. Patanè, G. Bufalini, M. Incarbone, A. Florio, Montserrat De La Cruz, C. Cavero Garcia, G. Estrada, J. Rodriguez, M. Baghboudurian, Juan Carlos Dos Santos, Leandro Botto Schuhmacher, F. Navarro Lara, Elisabetta Maschio. He has published books for publishing houses: Simple from Macerata, BookSprint from Salerno. In recent years he has achieved some qualifications for teaching Cello, Theory, Rhythm and Musical Perceptions and Ensemble Music for Bowed Instruments in the Music Conservatories of Palermo, Vibo Valentia, Reggio Calabria, Trento, Avellino, Trapani, Cesena, Lucca, Cagliari, Verona, Vicenza at the Pareggiato Musical Institute of Ancona, at the G. Paisiello Pareggiato Musical Institute of Taranto, at the “Rinaldo Franci” Higher Institute of Musical Studies of Siena, at the Riccardo Zandonai Civic School of Rovereto (Trento) , At the G. Verdi Civic School of Music in Prato (Firenze), at the Musical Institute Città di Noto, at the Regina Margherita Music High School of Palermo and at the “Dante Alighieri” Musical High School of Enna.

He plays on a 1985 cello of the Stöhr Baieridori-Igelidori of Zurich, Stradivari model, on a 1994 cello by Luthier Claudio Giurba, Guarneri del Gesù model, and on a French low-leg viola model Jaye of Luthier Nicola Vendrame of 2008. He has been associated with S.I.E.M since 2008 and with the Suzuki Italia Institute since 2007.

In 2007 he founded the Suzuki Cello School of Catania. Some students of this have already distinguished themselves in music festivals of national importance such as: Regional Music Festival “Musical Meetings” promoted by Camerata Accentus in S. A. Li Battiati and in Trecastagni; Review for Young Musicians promoted by A.M.E.A. Mascalucia at the Expo Pedara exhibition center; they were also suitable in auditions for prestigious youth orchestras such as the Junior Orchestra of the National Academy of Santa Cecilia in Rome. Some students were also awarded in some music competitions such as: “Alfio Pulvirenti” of Comiso (Ragusa), “Placido Mandanici” of Barcellona Pozzo di Gotto (Messina), National competition “Nellina Cappellani-Costa” of Catania, Music Competition “Vittorio Blanco” of San Gregorio; Amigdala School Competition “Giuseppe Raciti” prize promoted by the Amigdala association of Viagrande (Catania).

President of the A.M.A.C. Association since 2010 (Music and Art Association) of Gravina in Catania which deals with promoting musical editions and the diffusion of music in the Sicilian territory, organizing courses on musical instrument, theory and propaedeutics (with particular attention to teaching at an early age and to study and performance practice of Baroque music) and musical events such as: Classical music concerts, five editions of the “Nellina Cappellani Costa” Music Competition and two editions of the Santa Cecilia Music Festival at the Rex Theater in Giarre in collaboration with the Music Academy Etnea Santa Cecilia in Giarre (Catania). The association actively collaborates with the Haffner Orchestra of Catania and has collaborated with: the S. Giorgio Polyphonic Choir, the Sicilian Grand Opera Choir, Banca Mediolanum, Physics Department of the University of Catania, Municipality of Catania – Municipality II, AFEM (Euro Mediterranean Festival Association) for the organization of concerts at the Ancient Theater of Taormina in the summer season of 2017 in concert with the Haffner Orchestra in the concerts “Hollywood Music Movie” and “Opera Gala I & II” alongside internationally renowned singers such as Gonga Dogan, Filippo Micale, Giovanni Di Mare and Maria Ratkova; he also collaborated with the “L’Impulso” Association of Acireale and recently with Inside Events.
The A.M.A.C. association It also collaborates with numerous charitable and voluntary associations of the Sicilian territory such as: the non-profit association “Progetto Madagascar” of Messina, the non-profit association “Anfass” of Messina, the Donors Association San Marco of Catania, AVIS of Catania, Caritas of Catania.
He has recorded for the record companies PDR of Catania and Shine Records of Ragusa. He is co-author of two books with the famous conductor F. Navarro Lara bestsellers on Amazon “El Gran Libro de la Interpretation Musical” and “La Forja de un Maestro” published in 2018. From 2019 they are available in three languages (English, Spanish and Italian) on Amazon also in e-book format his books on the cello, on the bow, on their history and structure and on the Six Suites by J. S. Bach for solo cello.
He participated in the Cumbre Mundial de Dirección Orquestal 2018 and 2019 in Huelva and he also performed as the cello of the O.I.D.O. (International Orchestra of Conductors) also interpreting Haydn’s Cello Concerto in C major conducted by Monserrat De La Cruz. In March 2019 he founded the “Vincenzo Bellini” Chamber Orchestra of Catania of which he is director, the orchestra composed of young talents from the Sicilian territory debuted in the Opening Concert of the Holy Week Rites of Enna flanked by the Band Band “City of Enna ”and from the Polyphonic Choir Passio Hennensis of Enna with unanimous approval.
In May 2020 he obtains the Mindfullness Educator certification recognized by IPHM Holistic Accredited Board and becomes a member of the International Practitioners of Holistic Medicine. He was a cello teacher at the Didactic Center of Catanzaro – “Fausto Torrefranca” Conservatory of Vibo Valentia. From 2011 to 2015 was engaged in the Cello Suzuki Music Workshop at the “Michelangelo Virgillito” Primary School in Paternò. Later he taught violoncello at the Liceo Musicale of Enna, at the laboratory of musical instrument of the III Scholastic Institute of Giarre and at the laboratory of musical propaedeutics promoted by the School of Music Mousikè of Enna. He also taught cello with the Suzuki method at the Bruno Maderna Conservatory of Music in Cesena.

He teached cello in sicilian Secondary School: “F. Petrarca”, “Montessori-Mascagni” in Catania, “De Cruyllas” in Ramacca (Catania) and currently in “Don Lorenzo Milani” Secondary School in Misterbianco (Catania).

Follow me please! 😉

➡️https://m.facebook.com/Pier-Paolo-Maccarrone-cellist-violist-conductor-294050727943994/

➡️https://www.facebook.com/cellointernationalschool

➡️https://youtu.be/qb1F_GX51yE

➡️https://www.youtube.com/user/cellista1978

WhatsApp ➡️ +393494460646

maccarronepierpaolo@gmail.com

Condividi:

Mi piace:

Correlati