🇬🇧DISCOVERING WONDERFUL MUSIC AND LITTLE KNOWN COMPOSERS. 🇪🇦REDESCUBRIENDO MÚSICA MARAVILLOSA Y COMPOSITORES MUY POCO CONOCIDOS. 🇮🇹 ALLA RISCOPERTA DI MUSICA STUPENDA E DI COMPOSITORI MOLTO POCO CONOSCIUTIALLA RISCOPERTA DI MUSICA STUPENDA E DI COMPOSITORI MOLTO POCO CONOSCIUTI.

DISCOVERING WONDERFUL MUSIC AND LITTLE KNOWN COMPOSERS.

THOMAS CAMPION (London, February 12, 1567 – London, March 1, 1620)

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THOMAS CAMPION (London, February 12, 1567 – London, March 1, 1620) was an English composer, poet and doctor.

📖Biography
Campion was born in London, the son of John Campion, who worked at the court, and Lucy Searle, daughter of Laurence Searle, one of the queen’s sergeants. After Campion’s father died in 1576, his mother married Augustine Steward.
Campion studied in Cambridge, although he dropped out of the institute before finishing the course. His second university address was jurisprudence, starting from 1586, but he obtained a degree in yet another discipline, at the faculty of medicine at the University of Caen.
Campion first stood out as a poet in 1591 with five of his works appearing in an edition entitled Astrophel and Stella by Sir Philip Sidney.
His collection entitled Songs of Mourning: Bewailing the Untimely Death of Prince Henry (1613), was adapted into music by John Cooper. He wrote numerous poems and also an essay on poetry entitled Observations in the Art of English Poems (1602), in which he criticized the practice of rhyming in poetry and therefore participated in the controversy widespread in his time on the need to adapt the principles concerning English metric standards to the Greek and Latin ones.
His position on the poetic model to follow led Samuel Daniel to a strenuous defense of the rhyme, which appeared in his Defense of Rhyme.
Showing a lack of coherence with his theories, Campion composed regularly rhymed lyrics, obtaining however valuable levels of elegance and musicality.
Campion composed over a hundred songs per lute included in the four volumes Books of Airs (“Books of Melodies”), first published in 1601 and completed in 1617.
He was also the author of some masques, including Lord Hay’s Masque played in 1607, Somerset Masque and The Lord’s Masque completed in 1613.
In 1615 he published a book of music theory entitled A New Way of Making Fowre Parts in Counterpoint By a Most Familiar and Infallible Rule (“New way of composing four parts in counterpoint”).
He was somehow involved in Sir Thomas Overbury’s famous factory, carried out by hired assassins of the Countess of Essex.
Campion died in London from a serious infectious disease.

REDESCUBRIENDO MÚSICA MARAVILLOSA Y COMPOSITORES MUY POCO CONOCIDOS

THOMAS CAMPION (Londres, 12 de febrero de 1567 – Londres, 1 de marzo de 1620) fue un compositor, poeta y médico inglés.

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📖Biografía
Campion nació en Londres, hijo de John Campion, que trabajaba en la corte, y Lucy Searle, hija de Laurence Searle, uno de los sargentos de la reina. Tras la muerte del padre de Campion en 1576, su madre se casó con Augustine Steward.
Campion estudió en Cambridge, aunque abandonó el instituto antes de terminar el curso. Su segundo discurso universitario fue jurisprudencia, a partir de 1586, pero obtuvo un título en otra disciplina, en la facultad de medicina de la Universidad de Caen.
Campion se destacó por primera vez como poeta en 1591 con cinco de sus obras apareciendo en una edición titulada Astrophel and Stella de Sir Philip Sidney.
Su colección titulada Songs of Mourning: Bewailing the Untimely Death of Prince Henry (1613), fue adaptada a la música por John Cooper. Escribió numerosos poemas y también un ensayo sobre poesía titulado Observaciones en el arte de la poesía inglesa (1602), en el que criticaba la práctica de la rima en poesía y, por lo tanto, participó en la controversia generalizada en su tiempo sobre la necesidad de adaptar los principios relativos a los estándares métricos ingleses. a los griegos y latinos.
Su posición sobre el modelo poético a seguir llevó a Samuel Daniel a una extenuante defensa de la rima, que apareció en su Defensa de la rima.
Mostrando una falta de coherencia con sus teorías, Campion compuso letras rimadas regularmente, obteniendo sin embargo valiosos niveles de elegancia y musicalidad.
Campion compuso más de cien canciones por laúd incluidas en los cuatro volúmenes Libros de aires (“Libros de melodías”), publicados por primera vez en 1601 y terminados en 1617.
También fue autor de algunas máscaras, incluida la Máscara de Lord Hay que se jugó en 1607, la Máscara de Somerset y la Máscara de Lord completada en 1613.
En 1615 publicó un libro de teoría musical titulado Una nueva forma de hacer partes de fowre en contrapunto según una regla más familiar e infalible (“Nueva forma de componer cuatro partes en contrapunto”).
Estuvo involucrado de alguna manera en la famosa cervecería de Sir Thomas Overbury, llevada a cabo por asesinos de la condesa de Essex.
Campion murió en Londres de una enfermedad infecciosa grave.

ALLA RISCOPERTA DI MUSICA STUPENDA E DI COMPOSITORI MOLTO POCO CONOSCIUTI

THOMAS CAMPION (Londra, 12 febbraio 1567 – Londra, 1 marzo 1620) è stato un compositore, poeta e medico inglese.

📖Biografia
Campion nacque a Londra, figlio di John Campion, che lavorava alla corte, e di Lucy Searle, figlia di Laurence Searle, uno dei sergenti della regina. Alla morte del padre di Campion nel 1576, sua madre sposò Augustine Steward.
Campion studiò a Cambridge, anche se abbandonò l’istituto prima di terminare il corso di studio. Il suo secondo indirizzo universitario fu la giurisprudenza, a partire dal 1586, ma ottenne la laurea in un’altra disciplina ancora, presso la facoltà di medicina all’Università di Caen.
Campion si mise in evidenza dapprima come poeta nel 1591 con cinque suoi lavori apparsi in una edizione intitolata Astrophel and Stella di Sir Philip Sidney.
La sua raccolta intitolata Songs of Mourning: Bewailing the Untimely Death of Prince Henry (1613), fu riadattata in musica da John Cooper. Scrisse numerosi poemi ed anche un saggio sulla poesia intitolato Observations in the Art of English Poesie (1602), nel quale criticò la pratica della rima in poesia e partecipò quindi alla polemica diffusa ai suoi tempi sulla necessità di adeguare i principi riguardanti le norme metriche inglesi a quelli greci e latini.
La sua presa di posizione sul modello poetico da seguire indusse Samuel Daniel ad una strenua difesa della rima, apparsa nel suo Defence of Rhyme.
Mostrando una scarsa coerenza con le sue teorie, Campion compose liriche regolarmente rimate, ottenendo peraltro pregevoli livelli di eleganza e musicalità.
Campion compose oltre un centinaio di canzoni per liuto incluse nei quattro volumi Books of Airs (“Libri di melodie”), pubblicati per la prima volta nel 1601 e ultimati nel 1617.

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Nel video sopra suono su una viola da gamba soprano costruita dal liutaio siciliano Salvatore Zappala.

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🙂 🙂 🙂 🙂 🙂 🙂 🙂 Pier Paolo Maccarrone 🙂 🙂 🙂 🙂 🙂 🙂 🙂

My Life

PIER PAOLO MACCARRONE born in Catania in 1978 undertook the study of the cello at the age of 10 under the guidance of maestro Alfredo Borzì. He then continued his musical studies at the V. Bellini Music Institute in Catania with the teachers Giuseppe Rizzari, Paolo Ognissanti and for a long time with the teacher Benedetto Munzone under whose guidance he graduated. Later he perfected himself at the Hipponiana Academy of Reggio Calabria with the masters Arturo Bonucci, Claudio Marini, Demetrio Comuzzi and Luca Signorini and at the Music Academy of Santa Cecilia with the maestro Francesco Strano. Also in November 2004 he graduated in Pharmacy with specialization in phytotherapy at the University of Catania. In March 2007 he graduated in Music Disciplines from the V. Bellini Music Institute in Catania. In June 2010 he graduated with a II level qualification to teach the cello in secondary schools. In July 2010, to study the conducting in greater depth, he attended a master class held by the illustrious maestro Daniele Belardinelli. In October 2010, under the guidance of maestro Antonio Mosca, he obtained the qualification for teaching cello with the Suzuki method in Turin at the Italian Suzuki Institute. In recent years he has deepened the study of the execution practice on ancient instruments and at the Vincenzo Bellini Conservatory in Palermo he achieved the II level Degree in Baroque Cello and Basso Continuo at the Vincenzo Bellini Conservatory in Palermo and in 2017 under the guidance of the maestro Cristiano Contadin the first level Degree in Viola da gamba. He attended the Music Interpretation Course held by the famous conductor Francisco Navarro Lara and the Conducting course held by him in the “Escuela de Dirección de Orchestra y Banda” of Huelva in Spain endorsed by ABRSM (Royal College of Music of London) and in August 2019 he obtained the Advanced Diploma. In December 2022 he took the exams to obtain LRSM (Licentiate of the Royal School) in Orchestral Conducting from the Royal College of Music in London. He also attended masterclasses of Cello and Chamber Music with the teachers: A. Niculescu, M. Kougel, V. Taddeo, A. Meunier, S. Laffranchini, E. O. Hutter, R. Bovino and W. Ranck, M. Flaksman , M. Chen, L. Toten, A. Lefevbre, V. Pavlov, E. Bronzi, R. Filippini, B. Canino, S. Girscenko. Winner in numerous national and international competitions such as: Magma di Gravina of Catania, “Alfio Pulvirenti” from Comiso, “P. Mandanici “City of Barcellona Pozzo di Gotto (Messina)” Luigi Denza “of Castellammare di Stabia, Campobello di Licata (Agrigento), City of Palmi (Reggio Calabria), Competition” B. Albanese ”City of Caccamo (Palermo). Awarded in the following music competitions: FIDAPA SICILY “Young Talents”, “Dino Carovita” of Fusignano (Ravenna), Young Musicians “Napolinova”, “City of Palermo”, “B. Albanese ” in Caccamo, Promenade of Vibo Valenzia, City of Massafra (Taranto), TuttArte of Catania, City of Sol of Portopalo di Capopassero, National Music Competition Amygdala – Giuseppe Raciti Prize of Viagrande (Catania), International Music Competition” Lucio Stefano D’Agata ” of Acireale (Catania), National Music Competition “Salvatore Gioia” of Villarosa (Enna). Having supported the selections at the RAI TV Studios in Naples, he was eligible for auditions for the Italian Youth Orchestra of Fiesole for the academic year 2002-2003. He has performed in numerous concerts as a soloist and in orchestral training in numerous Italian and foreign cities such as: Catania, Syracuse, Ragusa, Palermo, Enna, Caltanissetta, Agrigento, Messina, Sorrento, Reggio Calabria, Naples, Macerata, Camerino, Perugia, Turin, Lucca, Florence, Cividale del Friuli, Rome, Graz, Nancy, Huelva, Palos with famous soloists such as: G. Sobrino, L. Degani, S. Zorza, P. Berman, S. Pagliani, C Marini, J. Lee, B. Giraud, A. Niculescu, E. Ligresti, D. Comuzzi, D. Schillaci, L. Aliberti, S. Piazzola, L. Lanzarini, K. Ricciarelli, M. Giordani, S. Girscenko , C. Gigli, M. Drapello, D. Russo, G. Di Stefano, D. Sinkosky, Luis Santana, Montserrat M. Caballè. He has collaborated with renowned directors R. Muti, C. Rizzari, T. Bugaj, M. Brousseau, O. Pulin, S. Ranzani, D. Soga, C. Volpini, G. Latil, W. Themel, G. Meditz , C. Patanè, G. Bufalini, M. Incarbone, A. Florio, Montserrat De La Cruz, C. Cavero Garcia, G. Estrada, J. Rodriguez, M. Baghboudurian, Juan Carlos Dos Santos, Leandro Botto Schuhmacher, F. Navarro Lara, Elisabetta Maschio. He has published books for publishing houses: Simple from Macerata, BookSprint from Salerno. In recent years he has achieved some qualifications for teaching Cello, Theory, Rhythm and Musical Perceptions and Ensemble Music for Bowed Instruments in the Music Conservatories of Palermo, Vibo Valentia, Reggio Calabria, Trento, Avellino, Trapani, Cesena, Lucca, Cagliari, Verona, Vicenza at the Pareggiato Musical Institute of Ancona, at the G. Paisiello Pareggiato Musical Institute of Taranto, at the “Rinaldo Franci” Higher Institute of Musical Studies of Siena, at the Riccardo Zandonai Civic School of Rovereto (Trento) , At the G. Verdi Civic School of Music in Prato (Firenze), at the Musical Institute Città di Noto, at the Regina Margherita Music High School of Palermo and at the “Dante Alighieri” Musical High School of Enna.

He plays on a 1985 cello of the Stöhr Baieridori-Igelidori of Zurich, Stradivari model, on a 1994 cello by Luthier Claudio Giurba, Guarneri del Gesù model, and on a French low-leg viola model Jaye of Luthier Nicola Vendrame of 2008. He has been associated with S.I.E.M since 2008 and with the Suzuki Italia Institute since 2007.

In 2007 he founded the Suzuki Cello School of Catania. Some students of this have already distinguished themselves in music festivals of national importance such as: Regional Music Festival “Musical Meetings” promoted by Camerata Accentus in S. A. Li Battiati and in Trecastagni; Review for Young Musicians promoted by A.M.E.A. Mascalucia at the Expo Pedara exhibition center; they were also suitable in auditions for prestigious youth orchestras such as the Junior Orchestra of the National Academy of Santa Cecilia in Rome. Some students were also awarded in some music competitions such as: “Alfio Pulvirenti” of Comiso (Ragusa), “Placido Mandanici” of Barcellona Pozzo di Gotto (Messina), National competition “Nellina Cappellani-Costa” of Catania, Music Competition “Vittorio Blanco” of San Gregorio; Amigdala School Competition “Giuseppe Raciti” prize promoted by the Amigdala association of Viagrande (Catania).

President of the A.M.A.C. Association since 2010 (Music and Art Association) of Gravina in Catania which deals with promoting musical editions and the diffusion of music in the Sicilian territory, organizing courses on musical instrument, theory and propaedeutics (with particular attention to teaching at an early age and to study and performance practice of Baroque music) and musical events such as: Classical music concerts, five editions of the “Nellina Cappellani Costa” Music Competition and two editions of the Santa Cecilia Music Festival at the Rex Theater in Giarre in collaboration with the Music Academy Etnea Santa Cecilia in Giarre (Catania). The association actively collaborates with the Haffner Orchestra of Catania and has collaborated with: the S. Giorgio Polyphonic Choir, the Sicilian Grand Opera Choir, Banca Mediolanum, Physics Department of the University of Catania, Municipality of Catania – Municipality II, AFEM (Euro Mediterranean Festival Association) for the organization of concerts at the Ancient Theater of Taormina in the summer season of 2017 in concert with the Haffner Orchestra in the concerts “Hollywood Music Movie” and “Opera Gala I & II” alongside internationally renowned singers such as Gonga Dogan, Filippo Micale, Giovanni Di Mare and Maria Ratkova; he also collaborated with the “L’Impulso” Association of Acireale and recently with Inside Events.
The A.M.A.C. association It also collaborates with numerous charitable and voluntary associations of the Sicilian territory such as: the non-profit association “Progetto Madagascar” of Messina, the non-profit association “Anfass” of Messina, the Donors Association San Marco of Catania, AVIS of Catania, Caritas of Catania.
He has recorded for the record companies PDR of Catania and Shine Records of Ragusa. He is co-author of two books with the famous conductor F. Navarro Lara bestsellers on Amazon “El Gran Libro de la Interpretation Musical” and “La Forja de un Maestro” published in 2018. From 2019 they are available in three languages (English, Spanish and Italian) on Amazon also in e-book format his books on the cello, on the bow, on their history and structure and on the Six Suites by J. S. Bach for solo cello.
He participated in the Cumbre Mundial de Dirección Orquestal 2018 and 2019 in Huelva and he also performed as the cello of the O.I.D.O. (International Orchestra of Conductors) also interpreting Haydn’s Cello Concerto in C major conducted by Monserrat De La Cruz. In March 2019 he founded the “Vincenzo Bellini” Chamber Orchestra of Catania of which he is director, the orchestra composed of young talents from the Sicilian territory debuted in the Opening Concert of the Holy Week Rites of Enna flanked by the Band Band “City of Enna ”and from the Polyphonic Choir Passio Hennensis of Enna with unanimous approval.
In May 2020 he obtains the Mindfullness Educator certification recognized by IPHM Holistic Accredited Board and becomes a member of the International Practitioners of Holistic Medicine. He was a cello teacher at the Didactic Center of Catanzaro – “Fausto Torrefranca” Conservatory of Vibo Valentia. From 2011 to 2015 was engaged in the Cello Suzuki Music Workshop at the “Michelangelo Virgillito” Primary School in Paternò. Later he taught violoncello at the Liceo Musicale of Enna, at the laboratory of musical instrument of the III Scholastic Institute of Giarre and at the laboratory of musical propaedeutics promoted by the School of Music Mousikè of Enna. He also taught cello with the Suzuki method at the Bruno Maderna Conservatory of Music in Cesena.

He teached cello in sicilian Secondary School: “F. Petrarca”, “Montessori-Mascagni” in Catania, “De Cruyllas” in Ramacca (Catania) and currently in “Don Lorenzo Milani” Secondary School in Misterbianco (Catania).

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